The Return of Dinny

When I put together this Third Decade reading list, I thought, “I hope I like Galsworthy since I put one novel from The Forsyte Saga on each of the first nine years.” Thankfully, I do indeed like Galsworthy. These books have become a dependable treat each summer.

It’s year 8, so I’m on the eighth book of the series, Flowering Wilderness. I was glad to see Dinny Charwell (pronounced “Cherrell”) return. In the previous book, she raised questions about duty as she continually tried to help everyone, even when she couldn’t help and even when her efforts put her in bodily danger. In this novel, Dinny is the flowering wilderness of the title, a young woman who is figuring out that she might have her own life to live, not just the life of the dutiful phantom her family traditions have placed in her head. In fact, Dinny has realized that she might even make herself happy by marrying Wilfrid.

*sigh* When two people meet and fall in love near the beginning of a novel, you know they’re going to have trouble. It seems that, while traveling in the East, Wilfrid has accepted Islam at the point of a gun, and the story gets back to England just a few days after our lovebirds plight their troth. All of Dinny’s family and all the family’s friends believe that it is now impossible for Dinny to marry Wilfrid; what he has done is simply not acceptable. The catch is that no one involved is actually a Christian believer, so they can’t agree on exactly what is so wrong about Wilfrid’s conversion. Is it wrong because he betrayed an essential myth? Is it because he acted un-English? Is it because he wasn’t courageous enough to accept death?

Once again Galsworthy critiques modernism in a fascinating way. His modern characters are all very comfortable and self-assured as long as they’re attending clubs and running charity drives. But then an event comes along that shows tension between their agnostic beliefs and their vestigial Christian ethics. The intriguing conundrum plays out through strong, elegant prose presenting full-bodied characters speaking to one another in rational and emotional and absolutely essential dialog. By contrast, I’ll end today’s post with a weak, colloquial, superfluous line:

It’s so good!